Garry Winogrand was a well-known street photographer who from New York who died in 1984. His work was notably exhibited at the Museum of Modern Art in 1967, together with photos by Diane Arbus and Lee Friedlander, and these three photographers transformed photography.
In this new book (Amazon.com, Amazon UK), author Geoff Dyer selects 100 images by Winogrand and discusses them. For each one, he gives some background, relates them to other photos or films, and contextualizes them in Winogrand’s career, or in the history of photography. But his texts are not dry academic commentary; they are often wry extrapolations about what is happening in the images, inventing characters, imagining what they were doing before, during, and after the photos were shot. Dyer makes up a lot; he creates characters, some that re-appear in other photos; he creates situations; he turns these photos into little bite-sized stories.
Much of what Dyer says – about related photographers – is useful as criticism, but it’s the made-up parts that make this book so interesting. It is not intended to be factual, but rather to be one writer’s imagination of what the photos are about.
Nevertheless, his observations about composition and context are all incisive, and he clearly knows a lot about Winogrand’s work, having had access to a large number of unpublished photos (some included in this book). This is a fascinating journey through the work of a great photographer with an interesting guide who tells fascinating stories.
I’ll note that Dyer is the author of a wonderful book about one of my favorite films, Andrei Tarkovski’s Stalker. His book Zona breaks down the movie into 142 sections for each of the 142 shots in the film.
Here’s a video created by the publisher, with Dyer discussing the book, and showing some of the photos.
And here’s a podcast episode where Dyer discusses the book.