Despite the multiple cultural inaccuracies and Spanish dialogue of Google Translate quality sprinkled throughout, the manuscript was acquired by Flatiron Books for seven figures in a nine-way bidding war. Hailed as a modern-day “The Grapes of Wrath” by the writer Don Winslow, it was heavily promoted for a year, poised to be the book on the immigrant crisis.
I’m not equipped to chime in on the issues around this book, whether the person should or should not have written this story being of a different cultural background than her subjects.
However, I can comment on the question of “Spanish dialogue of Google Translate quality.” Being a former French > English translator, I have assisted a few best-selling authors with bits of French texts in their novels. Not being native French, I also had my son – who is bilingual from birth – check and edit my translations. I’ve also edited English texts in works in other languages; essentially the opposite direction from this book.
For an American author to not find a native Spanish speaker to translate, or at least check the “Google translations” is a very serious error. It’s not that hard to find people to “fact check” translations. With seven figure advance, this suggests that both the author and publisher had the means to hire a professional translator to go over the text and make corrections.
There is really no excuse for this sort of thing in books. Are publishers and authors so cheap they don’t want to spend what would probably be a few hundred, or maybe a couple thousand dollars for this sort of work? Shame on them.
“Not much surprises me these days but this news did,” said Ian Rankin of Lee Child’s revelation this weekend that his brother, Andrew Grant, would be continuing the Jack Reacher series. Child said: “For years I thought about different ways of killing Reacher off. First of all, I thought he would go out in a blaze of bullets, something like the end of Butch Cassidy and the Sundance Kid. It would take an army to bring him down [but] Reacher had to have an afterlife after I was done.”
I find this really annoying. When I read a series – particularly a crime or mystery series – it’s not just about the character, but also about the author. Continuing a series with a different author is just wrong. When Robert B. Parker died, I was sad, but his characters have been continued by others, and there is even a movie coming out soon with Mark Wahlberg based on his Spenser character.
But there are others. Dick Francis’ son continues his series; there have been Ian Fleming follow-ups; series by Robert Ludlum and Thomas Clancy have been strung along; and the best-selling fantasy series The Wheel of Time, by Robert Jordan, was continued by Brandon Sanderson.
I’ve actually been binging the Jack Reacher novels since early December. I had read a dozen of them many years ago, then lost interest, but I wanted a series I could read over a few months. I’ve read 19 of them so far, which leaves five more to go. I won’t read any written by anyone else.
Wilbur Smith has also gladly collaborated with co-authors in recent years, saying that “my fans have made it very clear that they would like to read my novels and revisit my family of characters faster than I can write them. For them, I am willing to make a change to my working methods so the stories in my head can reach the page more frequently”.
This is a related issue. Publishers are pushing authors of popular series to write more, and, if they could get two books a year instead of one from best-selling authors, they’d be very happy.
It is painful for me to have to write the following lines. I cannot conceive of writing my autobiography. It seems to me that those who can do so are those who have led purely public and exterior lives, or those who can successfully conceal from themselves what they prefer not to know about themselves – there may be a few persons who can write about themselves because they are truly blameless and innocent. In my experience, there is much for which one cannot find words even in the confessional; much which springs from weakness, irresolution and timidity, from petty self-centredness rather than from inclination towards evil or cruelty, from error rather than ill-nature. I shall be as brief as I can.
I think it’s fair to say that for anyone interested in the life of T. S. Eliot, this is a thunderbolt coming from beyond the grave. There has been much speculation about Eliot’s relationship with Emily Hale, and as far as I know, this is the first time that any such statement from Eliot has been seen.
Most books about business are written by people involved in creating and managing companies: founders, CEOs, or venture capitalists. They are able to leverage their unique experience building businesses because they have been in the thick of things. But this approach can also lead to a certain type of tunnel vision: looking at something from the inside can often make it difficult to see how something actually operates.
Gillian Tett, author of The Silo Effect, comes to business from an interesting background: she trained as an anthropologist, earning a PhD from Cambridge University. Her experience studying social groups gives her a different point of view from those who have only looked at businesses from within, and this allows her to examine the way companies are structured without the preconceptions that most executives have. She is also a high-level executive with The Financial Times, so she can look at companies from both perspectives.
Lewis Shiner’s latest novel Outside the Gates of Eden is a saga that begins at a Dylan concert in 1965, then follows a musician and his friends as they age, up to the present. This novel has a huge scope, with moving scenes about music, and about a generation growing up.
Many high-concept business books present amorphous ideas about how to succeed in business, but Growth IQ by bestselling author, Tiffani Bova, is extremely concrete. This is not a book about turning your company upside down or inside out using trendy new concepts from a TED talk, but rather a book that looks at the way businesses really work and how to achieve growth.
The ten growth paths, a list “built on the back of long-standing management thinking and frameworks ” are all practical and applicable to all sorts of businesses. However, this is no quick-fix book: the ideas here call for a long-term approach.
There’s something about reading about the lives of people — biographies, memoirs, letters, and journals — that is both boringly quotidian and immensely fascinating. Watching lives play out in slow motion, like a literary reality show, especially in journals and letters, could almost be a radical concept in this day of abbreviated attention spans. Yet the honesty in these works — aside from the self-editing that their authors have performed when composing them — is a welcome alternative to condensed appraisals of great people’s lives.
I’m currently reading the letters of the great poet T. S. Eliot. I have just started the first of eight quite heavy volumes. At nearly 1,000 pages each, the sum of text in this works outweighs Elliott’s own writings by a huge factor. Is even one volume of these letters as great as the 56 pages of his Four Quartets? Of course not, but the letters provide insight into a life that can be both banal and interesting as the man makes his way through a career in letters.
As it stands, in my reading, it is only 1917. World war one is a major preoccupation, (“Life here simply consists in waiting for the war to stop.”) and Elliot has recently married in what we know will be a disastrous marriage. In some ways the knowledge of how things will turn out — the inherent spoilers — makes reading these letters even more interesting. I’m no expert about Elliot’s life, but I have read a biography of him, and I know the major events that occurred during his lifetime. Seeing them occur almost in real time in the letters puts them into perspective. Reading about this man and his financial difficulties makes him seem more like a normal person, and erases the patina of great writer that his name bears.
Of course, he was a great writer, and that’s why reading his letters is interesting. I am at the point where he has his first serious job at Lloyd’s Bank: “I sit in a small office with a mahogany desk and a tall filing cabinet, and feel much more important than my salary warrants, as I have charge of all the balance sheets of their foreign correspondence, filing and tabulating and reporting on them.” And, “I am absorbed during the daytime by the balance sheets of foreign banks. […] All this has made me want to find out something about the theory of banking, and especially Foreign Exchange. Incidentally, tea is served at four.” This humdrum job as a clerk at a bank provides income for the young Eliot, now 28 years old, who has recently written and had published his first major poem: The Love Song of J. Alfred Prufrock. (Though his parents seem to contribute often to cover his expenses.)
And you read about his anxieties, both personal and about the world in general. “The world seems a complete nightmare at times; nothing that could happen would be surprising. I wonder if there will ever come a time when we should look back and find that the period we are living through seems quite unreal in retrospect.”
As these volumes continue, I will follow the writer’s life through his day jobs, his publications, his job at Faber & Faber, where he would spend much of his life as an editor, and his Nobel prize. I will read about the composition of his great poems: The Waste Land, and The Four Quartets. I will read of his marital difficulties, and of the banalities of his everyday life. The great writer will appear, as great artists do when you look at them up close, to be a rather ordinary man from day to day. That will make him seem more human, more approachable, and ultimately more interesting.
Collections of letters like this are mostly compiled for scholars, and there are probably not many people read them for pleasure as I do. But there is something immensely enjoyable about the slow process of reading through someone’s life, especially through their own words.
So far, I have purchased the first four volumes, and will get the others as I progress. If you’re interested in T. S. Eliot, check out volume 1. (Amazon.com, Amazon UK)
Most of my waking hours are currently occupied in compiling the index to my book Screening the Royal Shakespeare Company: A Critical History. Not sure if I’ve mentioned this before, but this is to be published by Bloomsbury in The Arden Shakespeare series in June. Instead of writing this blog post I should be compiling my index. Instead of eating — and indeed, probably, sleeping, I should be compiling my index. But, well, compiling an index is a process that is both fascinating and deeply, deeply dull, and the occasional distraction has to be a good thing. I asked colleagues whether I should compile the index, or whether I should pay a professional to do it.
Most professionals (see below) advise against an author doing it themselves. But that’s what I opted to do — and I’m not regretting that call. Really I’m not. Along with all else, the process has made me curious about the creation of indexes.
When Take Control Books ran a customer survey last summer, asking which Apple software products people would most like to read about, Siri got the most votes. In keeping with their theme of giving you what you’ve asked for, they are delighted to announce our latest book, Take Control of Siri by former Macworld editor Scholle McFarland! This book is the definitive guide to Apple’s voice-controlled digital assistant across all platforms–iOS, Mac, Apple Watch, Apple TV, and even HomePod. If you own any Apple device with Siri support, this book will tell you everything you need to know about being more productive, saving time and effort, and having fun with Siri. And you may be surprised at how powerful Siri has become since its early days!
This book is a terrific resource. Here’s just a tiny sampling of what’s in this 138-page book:
The numerous ways to activate Siri (by touch or by voice)
How to personalize Siri by telling it about yourself, your contacts, and more
How to use Siri with AirPods, wired earbuds, or third-party headphones–or in your car
How to ask Siri about sports, math and conversions, time, food, movies, people, stocks, the weather, jokes, and random facts (including follow-up questions)
How to control music (on any device, with or without an Apple Music subscription)
Techniques for using Siri to get directions, set reminders and appointments, send messages and email, and take notes
Ways to use Siri to search for files on your Mac
What Siri can and can’t do for you on an Apple TV or HomePod
How to make and use Siri Shortcuts on an iOS device or Apple Watch
Everything you need to know about your privacy where Siri is involved
In addition, Scholle has made a series of videos to go with the book, showing you exactly what happens as you use Siri. (Two are ready right now, and eight more will be available in the coming days.) You’ll get to see and hear how to make the most of Siri (as well as its sense of humor).
It started with six pieces of Lego. Dan Lyons, former Newsweek technology editor, as well as writer on the HBO series Silicon Valley (and former Fake Steve Jobs), meets a Lego “Serious Play” trainer who asked him to make a duck in 30 seconds. He fretted, then worried, wondering if it was all a trick, before finally presenting his duck to her. It turned out that it didn’t matter what he did, that it was all just a game, a way to jump-start conversation. And that left him rattled.
In his book, Lab Rats: How Silicon Valley Made Work Miserable for the Rest of Us, New York Times bestselling author Dan Lyons critiques how this sort of “Serious Play” activity is all the rage in Silicon Valley, as startups and tech companies mess with the heads of their employees. He criticizes how it looks like a “cult of happiness,” which is facilitated through a new way of working.
And if you’re not in Silicon Valley, it’s coming soon to a company near you.