The Next Track, Episode #163 – Lewis Shiner on His Novel Outside the Gates of Eden

Lewis Shiner’s latest novel Outside the Gates of Eden is a saga that begins at a Dylan concert in 1965, then follows a musician and his friends as they age, up to the present. This novel has a huge scope, with moving scenes about music, and about a generation growing up.

Find out more at The Next Track website, or follow The Next Track on Twitter at @NextTrackCast.

The Next Track, Episode #162 – Apple’s New Improved macOS Media Apps

Doug and Kirk spend a half hour or so discussing Apple’s new apps that replace iTunes on the Mac. They rant, they praise, they shrug, they laugh, and they reminisce on what was, while imaging what could have been. It was a very good year.

Find out more at The Next Track website, or follow The Next Track on Twitter at @NextTrackCast.

The Next Track, Episode #161 – Philip Thomas on Morton Feldman’s Piano Music

Philip Thomas has recorded a 5-CD set of all of Morton Feldman’s music for solo piano. We discuss with him one of the most interesting of 20th century composers and the unique nature of sound in Feldman’s works.

Find out more at The Next Track website, or follow The Next Track on Twitter at @NextTrackCast.

Use Timed Lyrics in the iOS Music App to Sing Along to Your Favorite Songs

I’ve always liked having lyrics available when I listen to music. I don’t look at them often, but there are times when I want to know exactly what the words of a song are. Sometimes when I’m listening to Bob Dylan’s Desolation Row, and want to be precise. (I still haven’t memorized all the lyrics; but it’s more than ten minutes long.)

A nifty new feature in the iOS Music app is Timed Lyrics. When a song offers this, you see the lyrics, each line highlighted as it is sung.

You’ll probably see this in the Music app the first time you play a song that offers the feature, if you have your iOS device’s screen on with the Music app up front.

Timed lyrics1

Tap the Lyrics button at the bottom of the Music window and enjoy.

Timed lyrics2

Why Can’t Music Streaming Services Give Good Recommendations for Classical Music?

I regularly use Apple Music, and sometimes the recommendations I receive in the For You section are spot on. They learn from what I listen and what I love (though I don’t love tracks or albums very much), and they recommend music by the same or similar artists, or from similar genres. On any given day, I’d say a quarter of their picks are things that I really would like to listen to. And I think that a 250 batting average for this type of recommendation, which is all done by algorithm, is pretty good.

However, when they recommend classical music, they tend to strike out a lot more. Last night, I listened to an album of Schubert’s piano trios, and this morning, I see these recommendations:

Classical recommendations

It’s fair to say that I’d be potentially interested in listening to many if not most of these recommendations, but are they really “like Schubert: Piano Trios, Op. 99 & 100?” No, not really. There are two recordings of violin concertos, an opera, some vocal music (Monteverdi’s Vespers), and some solo piano music.

What would be “like” those Schubert piano trios? Perhaps other chamber works, such as piano trios by Haydn or Beethoven. Maybe some string quartets by Schubert, Beethoven, or other Romantic composers. Or some other music by Schubert: his piano music, lieder, etc.

It’s not clear why these recommendations were chosen. With pop, rock, or jazz, the recommendations tend to be based on the artists performing the music, whereas here, this isn’t the case. None of the three artists who performed the Schubert trios I listened to (Andreas Staier, Daniel Sepec, and Roel Dieltiens) are present in the recommendations. Two of the recommendations are on the same label, Harmonia Mundi, and, in classical music, that can a good reason to recommend music, as independent labels do have a specific character. But I scratch my head to try to figure out how these recommendations were chosen.

The Igor Levit set is in my iCloud Music Library, and I have listened to it before, but I don’t know any of the other recordings. The only commonality I find is that the Schubert I listened to was released in 2016, and five of the seven recommendations were released the same year, with two others in 2014 and 2015.

It isn’t easy to tailor recommendations for classical music, and I suspect that Apple Music is simply looking at what other people who have the Schubert recording in their libraries are listening to, or what’s in their libraries, similar to the way the Genius feature works. Providing better classical recommendations would require additional metadata for classical recordings, beyond just the “classical” genre. There would need to be metadata for eras (Baroque, Romantic, etc.), ensemble sizes (trios, quartets, orchestras, etc.), and styles.

The classical market is too small for the big streaming services to provide this sort of recommendation, and other players, such as Idagio and Primephonic, are entering the field in an attempt to do so. This is probably not something that can be done by algorithm, in part because of the absence of extended metadata specific to classical music.

To be fair, a bit of browsing on Apple Music allows me to find plenty of classical music, but I really would like the kind of recommendation that pushes me in the right direction, especially for composers that I don’t know well. I’m not that interested in paying for another streaming service, because that sort of fragmentation with music is just an annoyance. But I wish the big streaming services – Apple Music, Spotify, and Amazon – would take classical music seriously.

The Next Track, Episode #156 – 10 Ideas About the Future of the Music Business

We discuss the future of the music business, and come up with at last 10 ideas about how things will change in the next 10 years. Because 10 is a good number.

Find out more at The Next Track website, or follow The Next Track on Twitter at @NextTrackCast.

The Next Track, Episode #154 – Remembering the Walkman and Cassettes

The Next Track Blue Flat Button2 400pxThe Sony Walkman was introduced 40 years ago. When it first came out, it was the biggest change in musical listening since the record player. It ushered in an era of personal listening, and, with the popularity of cassette tapes, changed the music industry.

Listen to The Next Track: Episode #154 – Remembering the Walkman and Cassettes.

Find out more at The Next Track website, or follow The Next Track on Twitter at @NextTrackCast.

Sony holds 40th anniversary event for iconic Walkman music player – Japan Today

Sony Corp marked Monday the start of a two-month long event in Tokyo celebrating the 40th anniversary of the Walkman, with interactive exhibits showcasing various models of the iconic portable music player.

The highlight of the event, dubbed “#009 Walkman in the Park,” is an exhibit called “My Story, My Walkman,” which chronicles each year of the hit music player’s history with nostalgic stories by 40 creators, artists and other public figures of that generation. Visitors can listen to songs chosen by the celebrity on each of the Walkmans on display.

The event starts from ground level, where a 2.5 meter tall Walkman modeled after the yellow waterproof sports model introduced in 1983 stands, and continues across all four basement floors of Ginza Sony Park in Tokyo’s shopping district. Other exhibits include a “Walkman Wall,” which displays all 237 models of the Walkman over the years and a “Custom Walkman” corner featuring Walkman skins designed by artists.

The Walkman ushered in the biggest change in the way we listen to music. Shortly before the first Walkman was released, I had a Sony Pressman, which was much larger than the first Walkman, because it had stereo microphones – it was designed for reporters to use recording in the field – but also a big battery pack; I think it held four AA batteries. It was about as heavy as a brick, but I used to walk around with that and the ability to have my own personal soundtrack – something we now take for granted – was revolutionary.

I must say, it was hard to find a photo of the device I had. Even Sony doesn’t have a photo of this on their website, where they have an archive of their products, but I found a Time Magazine article with a photo.

Source: Sony holds 40th anniversary event for iconic Walkman music player – Japan Today

Why Play a Music CD? ‘No Ads, No Privacy Terrors, No Algorithms’ – The New York Times

To be honest, my preferred way to listen to music is on CD, as unfashionable as that might be. You push a button, the music plays, and then it’s over — no ads, no privacy terrors, no algorithms!

If you compare the act of playing a CD to that of allowing a streaming service to choose which music you listen to, then what the author says makes sense.

But, with streaming services:

  • You don’t have ads if you pay for music
  • I’m not sure what privacy terrors he’s talking about; at least with Apple Music
  • And there are no algorithms when you select an album, or create your own playlists

The above was an off-the-cuff comment in an interview, and it was promoted to being the headline, but it’s a bit clueless.

Source: Why Play a Music CD? ‘No Ads, No Privacy Terrors, No Algorithms’™ – The New York Times

The Next Track, Episode #151 – The Latest Trends in Hi-Fi

The Next Track Blue Flat Button2 400pxWe welcome back Chris Connaker, who tells us about the latest trends in hi-fi at the Munich High End audio show.

Listen to The Next Track: Episode #151 – The Latest Trends in Hi-Fi.

Find out more at The Next Track website, or follow The Next Track on Twitter at @NextTrackCast.